The Concerto: A Listeners Guide (Listeners Guide Series)

Prokofiev: Piano Concerto No. 3
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It would be nice to see this book be adopted as a text for music appreciation and history classes. I wish this book had been around when I started listening to and performing free improvisation. This is an essential text for the next generations of listeners.

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Reading Corbett is like spending an afternoon with your favorite uncle and his cabinet of booze. Kudos then to John Corbett for his insight into how one can gain deeper understanding of and appreciation for such music. Yet Corbett handles the material with grace and humor, intelligence and curiosity, in prose that unlike some writing on the subject, is easy to read and accessible to everyone.

Tchaikovsky Violin Concerto Listening Guide - Philharmonia Orchestra

The advice he offers is practical and illuminating. Chicago Blog : Music.

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Everyone will think that this is the beginning of the concerto. The Opus 76 are works of triumph; the Opus 77, of reverence. The three statements are in D minor, F minor, and G-sharp minor. Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart. The thematic melody itself is played and harmonized by the horns.

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Listening Guide: Mendelssohn's Violin Concerto

Twitter Facebook Youtube Tumblr. Was the music played at all the same volume dynamics? When do you hear music played loudly? What dynamic level is mostly used for the slow second movement?

A Listener's Guide

Michael Steinberg's volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago. The Concerto: A Listener's Guide (Listener's Guide Series) [Michael Steinberg] on *FREE* shipping on qualifying offers. Michael Steinberg's ​.

When do the dynamics change and what effect does that create? When does the music get louder crescendo or get quieter decrescendo? Do you hear musical sounds that are short sounding staccato or very smooth sounding legato? Which movement features legato sounds?

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Where do you hear suddenly loud sounds accents? Listen to the opening of the first movement to hear the first five notes played smoothly followed by shorter sounding staccato notes that move in an arpeggio broken chord pattern. Can you hear this kind of treatment elsewhere in this movement? Can you hear long, legato lines and quieter dynamics in the slow, second movement contrasted with louder, more dynamic expressive treatment in the final movement?

Mozart: Piano Concerto No. 21

Do you hear sections that have a steady rhythm or beat that you could tap to? The underlying pulse heard throughout the first and third movements is a feature of Baroque music and this concerto. Do you hear that pattern or parts of that pattern imitated in other parts in the first movement?

Can you hear any other repeated rhythmic patterns in other movements? Did any particular rhythmic pattern stand out for you that you could listen for in this concerto?

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Can you hear how the rhythmic patterns change in the second slow movement? In the duet between the two solo violins do you hear notes of longer duration? Do you hear high sounds or pitches? Do you hear low sounds or pitches? Can you pick out a particular melody played by the orchestra instruments or by the two solo violins in each of the three movements? Can you hum or sing that melody?

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If you listen carefully to the opening orchestral ritornello can you hear that the main theme begins with an scalic upward moving passage, followed by a downwards melodic section with arpeggiated jumps and leaps in the melody? Could you draw the shape of the melody in the air?

When does it move up higher and when does it move lower? When does it move one note at a time in a scale pattern and when does it jump or leap up or down? Can you hear this theme or fragments of this melodic theme repeated throughout the first movement in both the tutti and the solo sections? After the opening orchestral tutti theme in the first movement, can you hear a new melody played by one of the solo violins when it is first heard? This new melody also features running scale patterns of sixteenth notes as well as wide melodic leaps, including large leaps of tenths.

Discover Beethoven’s 5th

How could you describe the lyrical melodies heard in the slow, second movement? Can you hear a gentle downward melodic fragment that consists of just four notes? Could you draw the shape of this melody in the air as you listen?

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Can you hear how the two solo violins play together so that their melodies overlap and imitate each other? Musical texture refers to the layers of sound that are heard in the music. Author Scholes, Percy Alfred, The listener's history of music, Author Scholes, Percy Alfred, The Oxford companion to music; self-indexed and with a pronouncing glossary, Author Scholes, Percy Alfred, Scholes, Percy Alfred, Musical form.

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